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UNIVERSAL AUDIO APOLLO 8P QUAD

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Short Description

Scheda audio thunderbolt 2.La scheda include il bundle Realtime Analog Classics Plus
Disponibile con finanziamento consel

Rate a partire da: 65,55 €

Disponibile

Prezzo di listino: 2.998,00 €

PREZZO SPECIALE 2.398,00 €

Descrizione

Dettagli

Apollo 8p. Next-Generation Conversion
with Eight Onboard Preamps.

Apollo 8p Callouts

Apollo 8p is a dramatic update to one of the world’s most popular professional audio interfaces, delivering enhanced sound with the tone, feel, and flow of analog recording. This 16 x 20
Thunderbolt 2 interface features eight onboard Unison™ mic preamps — perfect for mobile rigs and tracking full bands. 
Built on genuine UA analog design and next-generation A/D and D/A conversion, Apollo 8p also features powerful UAD-2 QUAD Core processing, letting you run UAD Powered Plug-Ins in real time. With sound that surpasses anything in its class, Apollo 8p rivals modular converters costing twice the price, in a sleek new package.



Key Features
  • Next-generation Apollo A/D and D/A conversion for professional music production
  • 8 Unison™-enabled mic preamps for tracking full bands through preamp emulations from Neve, API, and Universal Audio
  • Onboard UAD-2 QUAD Core DSP allows Realtime UAD Processing
  • 16 x 20 Thunderbolt 2 audio interface for Mac with powerful Console 2.0 software control
  • Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt (Mac)
  • Convenient front panel monitoring functions including Alt Speakers, Dim, and Mono
  • Includes “Realtime Analog Classics Plus” plug-in bundle
  • World class UA analog design, superior components, and premium build quality

 

World-Class Sound with Superior
Apollo A/D and D/A Conversion

The original Apollo, introduced in 2012, quickly became a gold standard among modern music producers and engineers — it now counts many of the world’s top artists as users. Apollo 8p improves upon the original Apollo’s sound quality with completely redesigned, class-leading A/D and D/A conversion — giving you increased dynamic range and even lower THD.
Building upon a 50-year legacy of circuit design, UA engineers started with obsessive auditioning of the latest converters, pairing them with completely redesigned analog circuitry. Confirmed by extensive double-blind listening tests, the result is is 3 dB better dynamic range on both A/D and D/A conversion versus the original Apollo, placing the Apollo 8p as the measurable class leader.

 

Realtime UAD Plug-In Processing for
Tracking, Mixing, and Mastering

 

Imagine having a classic analog studio, in single rack space. Apollo 8p lets you record through UAD Powered Plug-Ins — including vintage EQs, compressors, reverbs, tape machines and more — at near-zero latency, regardless of your audio software buffer size. With award-winning UAD plug-ins from Ampex, Lexicon, Neve, Manley, Roland, SSL, Studer, and more,* Apollo 8p serves up authentic analog tone and warmth. 

The key to its analog sound is onboard UAD-2 QUAD DSP Processing, which powers the UAD plug-ins while reducing the strain on your host computer. 

Apollo 8p comes bundled with “Realtime Analog Classics Plus” suite of UAD plug-ins. From there, you can choose from a vast and expanding collection of plug-ins in the UA Online Store.
“UAD plug-ins are amazing... I’ve used them on all my projects for the last few years.” 

—Dan Auerbach (The Black Keys)

 

The UAD Powered Plug-In Library

 

 

Eight Mic Preamps with
Unison™ Technology


 
Apollo 8p comes equipped with eight Unison-enabled mic preamps, letting you track larger projects with colorful mic preamp sounds from Neve, API, and Universal Audio. An Apollo breakthrough, Unison technology nails the tone of these sought-after tube and solid state mic preamps — including their impedance, gain stage “sweet spots,” and component-level circuit behaviors.
The secret to Unison is its hardware-software integration between Apollo’s mic preamps and its onboard UAD-2 processing. Simply place a selected tube or solid state preamp plug-in on your desired mic input, and record in real time through stunning emulations like the bundled UA 610-B Tube Preamp plug-in, or the Neve 1073 and
API 212L.
 
Impedance and Gain Matching
Improved Monitoring and Workflow
 
Apollo 8p is further enhanced by adding Unison technology to its front-panel Hi-Z instrument inputs, giving you dead-on impedance and gain matching for new stompbox models like the Ibanez Tube Screamer TS808.
Apollo 8p features a host of front-panel upgrades over the original Apollo, including Alt Speakers, Dim, and Mono functions as well as input and output metering capabilities.
 
                      
 
 
Expand Your System
 
Thanks to Apollo Expanded software, users of Thunderbolt-equipped Apollo Twin, Apollo 8, Apollo 8p, and Apollo 16 audio interfaces can combine up to four Apollos and six total UAD-2 devices — adding I/O and DSP as your studio grows. Apollo Expanded also provides seamless integration with previous generation Apollos over Thunderbolt.
 
 
 
Apollo 8p. Features & Specs.
Audio Interface
  • Sample rates up to 192 kHz at 24-bit word length 
  • 16 x 20 simultaneous input/output channels:
  • Eight channels of analog-to-digital conversion via mic, line, or high-impedance inputs
  • 12 channels of digital-to-analog conversion via:
    • Six mono line outputs
    • Stereo monitor outputs (switchable to fixed line outputs)
    • Two stereo headphone outputs
  • Eight channels of digital I/O via:
    • Eight channels ADAT Optical Lightpipe I/O with S/MUX for high sample rates
    • Lightpipe I/O can be switched to S/PDIF optical with sample rate conversion
  • Two Thunderbolt 2 ports facilitates daisy-chaining of other Thunderbolt devices
  • Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt (Mac)
Microphone Preamplifiers
  • Eight high-resolution, ultra-transparent, digitally-controlled analog mic preamps
  • Unison™ technology for deep integration with UAD preamp and pedal plug-ins
  • Front panel and software control of all preamp parameters
  • Switchable low cut filter, 48V phantom power, pad, polarity inversion, and stereo linking
Monitoring
  • Stereo monitor outputs (independent of the six line outputs)
  • Digitally-controlled analog monitor outputs maintains highest fidelity
  • Front panel control of monitor levels and muting
  • Two stereo headphone outputs with independent mix buses
  • Independent front panel volume controls for headphone outputs
  • Front panel pre-fader metering of monitor bus levels
  • S/PDIF outputs can be set to mirror the monitor outputs
  • Up to two alternate stereo monitor outputs selectable via front panel or Console software
  • Assignable front panel monitor function switch for alternate speakers, dim, & mono
UAD-2 Inside
  • QUAD Core DSP with four SHARC® processors
  • Realtime UAD Processing on all analog and digital inputs via Console application
  • Same features and functionality as other UAD-2 devices when used with DAW
  • Can be combined with other UAD-2 devices for increased mixing DSP
  • Includes UAD Powered Plug-Ins “Realtime Analog Classics Plus” bundle
  • Complete UAD plug-ins library is available at the UA online store
Software
  • Console application:
    • Analog-style control interface for realtime monitoring and tracking
    • Enables Realtime UAD Processing with UAD plug-ins
    • Remote control of Apollo 8p features and functionality
    • Virtual I/O for routing DAW tracks through Console
  • Console Recall plug-in:
    • Saves Console configurations inside DAW sessions for easy recall
    • Convenient access to Console’s monitor controls via DAW plug-in
    • VST, RTAS, AAX 64, and Audio Units plug-in formats
  • UAD Meter & Control Panel application:
    • Configures global UAD settings and monitors system usage
  • Other
    • Easy firmware updates
    • 1U rack-mountable form factor
    • One year warranty includes parts and labor

 

System Requirements

 

Thunderbolt Systems

UAD Powered Plug-Ins version 8

  • Apple Mac computer with available Thunderbolt or Thunderbolt 2 port
  • Mac OS X 10.8.5 Mountain Lion, 10.9.x Mavericks, or 10.10.x Yosemite
  • 4 gigabytes available disk space
  • Internet connection to download software and authorize UAD plug-ins
  • Compatible VST, Audio Units, RTAS, or AAX 64 plug-in host DAW software
  • Thunderbolt cable (sold separately)

 

Specifications

Note: All specifications are typical performance unless otherwise noted, tested under the following conditions: 48 kHz internal sample rate, 24-bit sample depth, 20 kHz measurement bandwidth, with balanced output.

System
  • I/O Complement
    • Microphone Inputs 8
    • High-Impedence (Hi-Z) Instrument Inputs 2
    • Analog Line Inputs 8
    • Analog Line Outputs 6 (eight including monitor outputs)
    • Analog Monitor Outputs 2 (one stereo pair)
    • Headphone Outputs 2 Stereo
    • Digital Input Port (TOSLINK optical) 1 (ADAT or S/PDIF, selectable)
    • Digital Output Port (TOSLINK optical) 1 (ADAT or S/PDIF, selectable)
    • Thunderbolt 2 ports 2 (Thunderbolt 1 compatible)
    • Word Clock 1 input, 1 output
  • A/D – D/A Conversion
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Bit Depth Per Sample 24
    • Simultaneous A/D conversion 8 channels
    • Simultaneous D/A conversion 14 channels
    • Analog Round-Trip Latency 1.1 milliseconds @ 96 kHz sample rate
    • Analog Round-Trip Latency with four serial UAD-2 plug-ins via Console application 1.1 milliseconds @ 96 kHz sample rate
Analog I/O
  • Frequency Response 20 Hz – 20 kHz, ±0.1 dB
  • Microphone Inputs 1 - 8
    • Connector Type XLR Female, pin 2 positive (Combo XLR/TRS)
    • Phantom Power +48V (switchable per mic input)
    • Dynamic Range 119 dB (A–weighting)
    • Signal-to-Noise Ratio 119 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Equivalent Input Noise –128.7 dB
    • Common-Mode Rejection Ratio (CMRR) 70 dB (10’ cable)
    • Default Input Impedance 5.4K Ohms (variable via Unison plug-ins)
    • Gain Range +10 dB to +65 dB
    • Pad Attenuation 20 dB (switchable per input)
    • Maximum Input Level +25 dBu (minimum gain, pad engaged)
  • Hi-Z Inputs 1 - 2
    • Connector Type ¼” Female TS Unbalanced
    • Dynamic Range 118 dB (A–weighting)
    • Signal-to-Noise Ratio 118 dB (A–weighting)
    • Total Harmonic Distortion + Noise –103 dBFS
    • Input Impedance 1M Ohms (variable via Unison plug-ins)
    • Gain Range +10 dB to +65 dB
    • Maximum Input Level +12 dBu
  • Line Inputs 1 – 8
    • Connector Type ¼” Female TRS Balanced (Combo XLR/TRS)
    • Dynamic Range 120 dB (A–weighting)
    • Signal-to-Noise Ratio 120 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Common-Mode Rejection Ratio (CMRR) 60 dB (10’ cable)
    • Input Impedance 10K Ohms
    • Gain Range +10 dB to +65 dB (Line Input Gain = ON)
    • Reference Level +4 dBu (Line Input Gain = BYPASS)
    • Maximum Input Level +20.2 dBu
  • Monitor Outputs 1 – 6
    • Connector Type ¼” Female TRS Balanced
    • Dynamic Range 121 dB (A–weighting)
    • Signal-to-Noise Ratio 121 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 100 Ohms
    • Maximum Output Level +20.2 dBu
  • Monitor Outputs Left & Right
    • Connector Type ¼” Female TRS Balanced
    • Dynamic Range 121 dB (A–weighting)
    • Signal-to-Noise Ratio 121 dB (A–weighting)
    • Total Harmonic Distortion + Noise –110 dBFS
    • Stereo Level Balance ±0.05 dB
    • Output Impedance 100 Ohms
    • Maximum Output Level +20.2 dBu
  • Stereo Headphone Outputs 1 – 2
    • Connector Type ¼” Female TRS Stereo
    • Dynamic Range 118 dB (A–weighting)
    • Signal-to-Noise Ratio 118 dB (A–weighting)
    • Total Harmonic Distortion + Noise –101 dBFS
    • Maximum Output Power 160 mW into 300 ohm load
Digital I/O
  • S/PDIF
    • Connector Type (shared with ADAT) Optical TOSLINK JIS F05
    • Format IEC958
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96
  • ADAT
    • Connector Type (shared with S/PDIF) Optical TOSLINK JIS F05
    • Format ADAT Digital Lightpipe with S/MUX
    • Supported Sample Rates (kHz) 44.1, 48, 88.2, 96, 176.4, 192
    • Channel Assignments @ 44.1 kHz, 48 kHz Port 1 = Channels 1 – 8, Port 2 = 1 – 8 (mirrored)
    • Channel Assignments @ 88.2 kHz, 96 kHz Port 1 = Channels 1 – 4, Port 2 = Channels 5 – 8
    • Channel Assignments @ 176.4 kHz, 192 kHz Port 1 = Channels 1 – 2, Port 2 = Channels 3 – 4
  • Word Clock
    • Connector Type BNC
    • Lock Range ±0.5% of any supported sample rate
    • Word Clock Input Termination 75 Ohms, switchable
  • Synchronization Sources
    • Internal, Word Clock, S/PDIF, ADAT
Electrical
  • Power Supplies External AC to DC Power Supply, Level V compliant
  • AC Input Connector Type IEC Male
  • AC Requirements 100V – 240V AC, 50 – 60 Hz
  • DC Connector Type XLR 4-Pin Locking Male (Neutrik P/N NC4MDM3-H)
  • DC Requirements 12 VDC, ±5%
  • Maximum Power Consumption 50 Watts
Mechanical
  • Dimensions
    • Width 19”
    • Height 1.75” (1U rack space)
    • Depth, Chassis Only 12.125”
    • Depth, Including Knob & Jack Protrusions 13.5”
    • Shipping Box (Width x Depth x Height) 24” x 17” x 8”
  • Weight
    • Shipping Weight (with box & accessories) 18 pounds
    • Weight (bare unit) 9.1 pounds
  • Package Contents
    • Apollo 8p Audio Interface Unit
    • External Power Supply
    • AC Power Cable (IEC)
    • Set of (4) Rack-Mount Screws
    • Getting Started URL Card

 

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